Seventh session Idea-Tops AwardExhibition space Design Nomination Award

台北公共住宅展

Submission time:2016-08-24
Project category:Exhibition space Design
Award winning designers: SWY66
Description:

台北公共住宅展 2016 Taipei Public Housing Exhibition

城市發聲.開放性.對話 The Voice Of The CitizensOpennessDialogue

公民意識抬頭,居住正義成為全民關心的議題,透過公共住宅展覽創造一個城市與公民交流的平台。以城市建築量體為空間概念發想,期望以開放思維走訪民居生活,體驗場所精神,並透過展場再詮釋多面向的公共住宅議題,內容囊括城市未來發展的輪廓、用真實史料記錄公共住宅發展、及探討法規與制度限制下的侷限性,設計開放性的互動經驗開啟對於未來居住的想像。

 

The awaken of citizen consciousness , the living justice becomes the subject which all the people cared about. The public housing exhibition creates the platform which a city and the citizen can communicate with each other. Inspiring from urban architecture as the design concept, we expect to visit the real life of the resident by open view , experiences the place spirit, and to discribe various publice housing issues through exhibition, the content includes the future city development and uses genuine historical data to record publice housing development, and discussion of limitation under laws and regulations. Designing an openly interactive experience explores future living.

 

白色力量The White Power

白色象徵著純潔 、和平、正義,同時也是柯市長身穿白袍行醫期間濟弱扶貧的精神象徵。讓公共宅承載這白色精神,發揮最大的居住正義。

 

White symbolizes purity, peace and justice. Meanwhile,it is the spiritual symbol of the Mayor Ko Wen-je during he wearing a white robe helping the patient.Let the public housing carrying the white spirit, to maximize the living justice.

 

浮之島 The Floating Island

落實公共住宅是台灣青年共同的願景,於展場設計上秉持這般信念,採用全玻璃打造一座象徵希望的漂浮之島,島上承載著公共住宅建築模型,透過光影投射在地面上,意喻著這些願景未來都會完整呈現在台北的土地上,公共住宅將是日後住宅結構不可或缺的一部分。

 

To achieve the goal of public housing is a common vision of Taiwan youth. Uphold the belief in the exhibition design, we use the glass to create a floating island as a symbol of hope. On the island, it bearing the public housing models. Through the light and shadow projected on the ground, representing that these future visions will be fully built in the land of Taipei. Public housing would be an integral part of the future residential structure.

一坪空間  3.24 ㎡

透過一坪大小的空間,以大型量體吸引參觀者目光並且引導入展間,而圍塑出來的空間象徵著住宅空間是人民的基本需求,非奢侈品。

 

Through the space of 3.24㎡, the big cube will get attention of visitors and guided into the exhibition, the furniture frame on the wall is telling visitors that housing is a basic needs of people, not luxury.

 

家.| Home Alley

在空間中置入家的意象量體,喚起民眾對家的渴望與想像,讓民眾可以品味三維空間與二維平面交疊而成富有層次的生活況味。

The house's image frame, arousing the people to desire and imagine the home. Let people can enjoy interesting of life with crossover multi-level three-dimensional space and second-dimensional plane .

more

Seventh session Idea-Tops AwardExhibition space DesignWINNERS

【BestExhibition space Design】Sail Vision 帆·构想

Winner:梁穗明

【Exhibition space DesignNomination Award】Flowing Crystals 流动晶体

Winner:何思玮

【Exhibition space DesignNomination Award】2016威尼斯建筑双年展意大利馆

Winner:lacandel

【Exhibition space DesignNomination Award】台北公共住宅展

Winner:邵唯晏

【Exhibition space DesignNomination Award】回

Winner:尺道设计

Previous Idea-Tops AwardsExhibition space DesignWINNERS

Award winning designers邵唯晏

公司簡介 竹工凡木設計研究室(CHU-studio)團隊學經歷跨足建築、室內、景觀及工業設計。本團隊強調實務與研究之相輔相乘,在每個案子上秉持四大原則:數位性(Digitality)、藝術性(Art)、跨界性(Crossover)及永續性(Sustainability),尤其對於電腦輔助設計(CAD)及電腦輔助生產(CAM)有持續之研究與應用,近來更致力參數式演算法(Parametric Generative Design Process),期望打破傳統設計思維,並有效降低工程成本。我們同時關注當代跨界的觀念,對於各種空間不完全遵循傳統固有的思維及做法,無論針對任何空間都企圖打破既有框架限制,尋找空間的可能性。 About CHU-studio The background of CHU-studio designers vary from architecture, interior design, landscape to industrial design. We put emphasis on both practical experience and research work. With our four principles “Digitality, Artistry, Crossover and Sustainability”, we keep working on the research and application of CAD/CAM and Parametric Generative Design Process in hopes of breaking traditional rules and lowering construction cost. In the meantime, we also focus on the trend of “Crossover” in an attempt to break the limit and work out different solutions and possibilities of space. 竹工凡木的由來 Michael Maltzan曾說過一句話「I am not interested in solving everything.」,建築要解決的議題太多而太廣,我們不求面面俱到,只想在每個設計案中找到其自身特有的切入點。研究室的名字竹工凡木就是由中文字「築」所解構出的四個部首,間接暗示了本研究室的核心價值,建築不再只是全面性的Construction,而是透過解構(Deconstruction)的過程,找到單一的切入點,用單純的手法來處理。 The Origination of CHU-studio Michael Maltzan said” I am not interested in solving everything.”, so we do not expect designed for one project. The Chinese name of CHU-studio is deconstructed from the word ”築” and is composed of four characters ”竹、工、凡、木”. It also implies our core value - to find out solutions through deconstruction process.

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